Edward Hopper

The greatest merit of director Angus Jackson's production is designer Anthony Ward's permanent set and carefully researched costumes, and Mark Henderson's lighting, which recreate the beautiful, hard-finish of the melancholy world of Edward Hopper's eerie paintings.

A Slow 'Rocket' That Struggles to Take Off Paul Levy 2011

Each room is subtly themed after a famous artists or writer, from Edward Hopper to E.B. White.

Potpourri-Free B&Bs Steve Garbarino 2011

Bleached lighthouses, fishing boats, rocky coasts: Edward Hopper's works offer the iconic image of a Maine summer.

The Short List 2011

Some members of the New York Philharmonic have been longtime residents of Nyack and the town was the birthplace of legendary painter and printmaker Edward Hopper , whose childhood home is now the Edward Hopper House Art Center.

Antiques Stores Awaiting Rebound in Nyack Kavita Mokha 2011

Days of Heaven, which brought Malick the best director award at Cannes in 1979 and is arguably his finest film, is being reissued in a new print that does justice to Néstor Almendros's magnificent cinematography drawing on the paintings of Winslow Homer, Andrew Wyeth, Edward Hopper and in one scene of a religious ceremony in wheat fields Jean-François Millet.

Days of Heaven – review 2011

When it comes to painted Americana that's used until it's used up, Edward Hopper's "Nighthawks" runs a close second.

Simpsons Syndrome: Overused Cultural Icons Trigger a Gag Reflex Eric Felten 2011

Should it pair with something in the museum's permanent collection—perhaps a New Mexican sparkling wine for the Georgia O'Keeffes or an austere Austrian Riesling to match the sparseness of Edward Hopper?

Monet and Montrachet: Museums With Great Wine Lettie Teague 2011

The apartments fill the window's view like an Edward Hopper painting, a thumping reminder to the audience sitting in the auditorium of where they are, what's outside, and what living and studying in an often-gritty city feels like.

Bridging the Town-Gown Divide Robbie Whelan 2011

So does an essay in the Glimmerglass program by Carol Troyen, curator emerita at the Museum of Fine Arts, Boston, and guest curator of "A Window Into Edward Hopper," a concurrent exhibition at the Fenimore Art Museum.

A Peek Behind Those Paintings Karen Wilkin 2011

Mr. Nemerov sees the tense mood of Ault's paintings of the 1940s as part of a larger response to the war years, supporting his thesis with works by Ault's like-minded colleagues and contemporaries, some of them well known—such as Edward Hopper, Rockwell Kent, Charles Sheeler and Andrew Wyeth—some of them obscure; all of them, like Ault, are faithful to the specifics of their surroundings, indifferent to radical, modernist ideas, and deadly serious.

Austerity, Economy, Stillness Karen Wilkin 2011